I Am a Graphic Designer Not a Miracle Worker
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I went to this play and read this book when I was in grade 4. It had a huge impact on me. It was all I could talk about for weeks. I wanted to go see it again and again. It will always be one of my favorite plays. Another friend just posted a review of Helen Keller's autobiography and I look forward to reading that one too. I would love to see this play with my daughter.
I remember watching as Helen got so upset when she couldn't express herself and fought those who tried
"No One Could Reach Her"I went to this play and read this book when I was in grade 4. It had a huge impact on me. It was all I could talk about for weeks. I wanted to go see it again and again. It will always be one of my favorite plays. Another friend just posted a review of Helen Keller's autobiography and I look forward to reading that one too. I would love to see this play with my daughter.
I remember watching as Helen got so upset when she couldn't express herself and fought those who tried to help. The rages she flew into. I was transfixed by all of it. Hired by Helen's family, Annie Sullivan starts to work with Helen and slowly helps her learn to communicate and express herself. This was no easy task. Helen lashed out at Annie (apparently even knocking a couple of Annie's teeth out during a rage). However, Annie was determined to help this girl who she had grown to love. She was not only going to help Helen communicate but also to live.
I remember some of the boys teasing me because I was crying and usually I would have been so upset but I barely heard them.
After we saw the play we read the story in class. As I got older I read it a few more times and always found it so inspirational and heartwarming.
Such a wonderful memory.
...moreDoes anyone know a play on GoodReads with a higher average rating than this? Is this the world's greatest play?
I read the 1957 telefilm script and didn't think it was anything special, and I think that's mainly because I didn't know it was based on a true story. Also, not being American, I'd never heard of this before, and I picked it up on a whim at a library. I think the 'true story' aspect has overhyped this play.
I personally struggle to understand how this p
Video Review, and general updateDoes anyone know a play on GoodReads with a higher average rating than this? Is this the world's greatest play?
I read the 1957 telefilm script and didn't think it was anything special, and I think that's mainly because I didn't know it was based on a true story. Also, not being American, I'd never heard of this before, and I picked it up on a whim at a library. I think the 'true story' aspect has overhyped this play.
I personally struggle to understand how this play could have a massively higher average rating than Death of a Salesman, and a higher rating and readership than most other plays — 'Hamlet', 'The Importance of Being Earnest', 'Twelve Angry Men', to name a few!
It's nice and inspiring that stories like this happened in real life, but it's sad that this is the best stage adaptation for them. I go into slightly more detail with my specific criticisms in the video review. I believe playwrights can and should do better than this, to do justice to the reality it represents. I don't mean to be unpleasant or take away from the inspiration this story gives to people, but I just want to caution everyone to consider whether this truly is the world's greatest play. Is every sentence and scene perfectly constructed — is the script thrilling, gripping, engaging, memorable? Or is it that reading culture just hasn't found a way to be critical of the construction and appeal of 'true stories', or even of works with clearly strong social value? Must we only write memoirs, or stories with more social justice than reality, to be bestsellers in the modern day?
This review is awkward and uncomfortable because I don't want to sound like I don't find the true story inspiring (it is ironically that which I feel I am trying to do justice). I like that stories can empower people and bring light on people who have been disadvantaged by society, and I find a lot of American fiction does this excellently. I just am a bit lost with the reception to this one, as reading it without reference I came here expecting to write this 2* review without feeling so out of place.
With all the above, my rating and review clearly opposes the norm, so I definitely could be missing something here. Maybe you'll need to read the play to find out!!
...moreFAVORITE MONOLOGUE:
(Anne Sullivan) I wanted to teach you--oh, everything the earth is full of, Helen, everything on it that's ours for a wink and it's gone, and what we are on it, the--light we bring to it and leave behind in--words, why, you can see five thousand years back in a light of words, everything we feel, think, know--and share, in words, so not a soul is in darkness, or done with, even in the grave.
...moreTasked with an extraordinary challenge, Anne Sullivan set out to teach Helen Keller, the fundamentals of language and discipline. Inspiring and heartwarming, The Miracle Worker makes the readers feel like miracles are indeed real.
"For two weeks. I'll give you two weeks in this place, and it will be a miracle if you get the child to tolerate you. "Tasked with an extraordinary challenge, Anne Sullivan set out to teach Helen Keller, the fundamentals of language and discipline. Inspiring and heartwarming, The Miracle Worker makes the readers feel like miracles are indeed real.
...moreI'm so glad I decided to (re-) read this one! I think I must have read this play back in middle school or high school, but then forgot I read it. It is very much worth a re-read. It is such a beautiful and moving true story and it means more to me now that I have little children of my own and think about it from a mother's perspective. I want to read more of the story of Annie Sullivan now as well and what happened to her poor little brother.
I'm so glad I decided to (re-) read this one! ...more
This was a reread, I read it in 8th grade for English class and then we got to go see the play. I reread this for a prompt on a challenge I'm doing and the prompt was a book you read in school. I loved this just as much as I did in 8th grade. Such a great story.
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Helen Keller was one of those players. My grandmother said that Helen had to have an interpreter present on stage, not only to convey questions to her, but to interpret her spoken words, since Helen never really mastered speaking well enough to be understood by strangers. At the times my gr
My paternal grandmother lived in Kansas City in the early 20th century. The music halls in Kansas City were cheap and accessible in those days, and many widely-known figures would come to play in Kansas City.Helen Keller was one of those players. My grandmother said that Helen had to have an interpreter present on stage, not only to convey questions to her, but to interpret her spoken words, since Helen never really mastered speaking well enough to be understood by strangers. At the times my grandmother saw Helen, the companion was not her beloved Teacher, but Helen's sister, Mildred.
I've read many versions of Helen's story, and so I'm not sure whether the significance of this sister is included in the play. As Helen herself later recounted, Helen came in and found her baby sister lying in the crib Helen was accustomed to put her own doll in. Helen unceremoniously dumped her sister out of the cradle (fortunately, somebody witnessed the incident, and caught the baby as she fell), and put her doll in the cradle.
It was this incident that made the already frantic efforts of Helen's family to get a cure for her all the more desperate. It was because her family had refused to believe there was no cure for her blindness and deafness that they had insisted on a cure INSTEAD of having her educated. Really she should have begun getting tuition immediately after she lost her sight and hearing (at 19 months). It wouldn't have done any harm even if she were curable, but if there was no cure, it was essential.
When they reached the stage of desperation, they took Helen to see Dr Alexander Graham Bell, who agreed with other doctors that Helen's disabilities were not curable: but who pointed out that it was possible to educate her.
The play tells more about Annie Sullivan's history than most sources (taken from her letters, probably), though it doesn't go on to deal with other things (such as that Annie was not 'formerly' blind. She had to tend her eyes very carefully even in this period, and had to have operations to restore her sight several times afterward), because they're after the period of the story.
I have to say that I do understand the urgency of the situation. Though it's not true that Helen had learned nothing before (she had developed a sort of gestural pidgin, which was probably more effective than anybody gives it credit for), if it had been left much longer, it's doubtful Helen would have been able to develop the remarkable linguistic skills she later had. She might have been able to learn a little language (Laura Bridgman, the first recipient of training in fingerspelling, was limited in her linguistic capacities, and this may be because she was already eight when her teaching began), but it's unlikely that Helen would have gotten as good at it as she did.
Nevertheless, I can't go along with the people who argue that the cruel treatment Annie meted out was justifiable. Granted, Annie was quite young at the time, and she hadn't really been given much training in education methods. But still...there were no doubt better ways to teach even an obstinate child like Helen. A preliminary study of the pidgin Helen and her family had developed would have been a good start.
The 'miracle' in the title is well-described by Helen in her own works. It's a little disturbing that the vital word had to go back to Helen's early verbalizations, however. Helen had, after all, her own sign for 'mother'. But it's interesting in another way. Most children's realization that language has meaning happen so early they don't remember it: Helen, at seven, remembered it clearly, and was able to reduce it to very evocative words.
In fact, focusing on the 'miracle', however much of a breakthrough it truly was, in many ways falsifies the picture. Except when Helen insisted on learning to speak (because she wanted to be able to communicate with people who didn't understand fingerspelling), Annie Sullivan was involved, as translator, tutor, and aide, in all of Helen's vigorous attempts at self-education through college. Annie insisted that she couldn't teach speech to Helen, so it was farmed out. But one thing that Annie DID teach Helen in this period was how to read and write. This was done not only via Braille, but also with a form of block printing, and with type-like wooden blocks; and later, Helen learned to use a typewriter. Helen's first letters were as crude and inept as most of her age-mates'. But she very soon mastered the smooth literary style that made her so skilled at communicating.
The main problem with this play is that it leaves Helen frozen in time as the electrified child. Helen Keller turned seven in 1887, and she didn't die until 1968, a few weeks before her 88th birthday. She wrote the classic Story of My Life to help pay for her college education. She was quite renowned in her childhood (she was friends with Mark Twain, who died in 1911), but her life didn't end with her childhood. One measure of how little the real woman was known is that people either never knew, or forget, that the adult Helen was a co-founder of the ACLU. Helen Keller was never in her life the 'angel on the hearth' of Victorian fantasies. She didn't stop being strong-willed when she learned to communicate: frustration didn't make her stubborn; rather stubbornness made her frustrated, since she wouldn't give up, and couldn't succeed. Mastering language help alleviate the frustration, but not the obstinacy.
In her later life, Keller became a fairly well-known advocate of radical causes: but this fact is often ignored in stories about her. A postscript added to the play might not go amiss--or an introduction with further information. I'm pretty sure the edition I read (which I don't think was this one) didn't have this sort of biographical information.
...more- focuses on Anne Sullivan and her early efforts in educating Helen Keller
- encouraged me to add Keller's autobiography to my tbr
LIKES:
- extremely moving, extremely powerful.
- the added part about Keller's half-brother, James, was interesting. I wasn't expecting that.
- Similarly, the part about Sullivan's brother, Jimmie, was extremely moving and artfully set up.
DISLIKES:
- the story was the compelling aspect, not the writing.
- I wish the pacing had been different. The whole narrative was
- focuses on Anne Sullivan and her early efforts in educating Helen Keller
- encouraged me to add Keller's autobiography to my tbr
LIKES:
- extremely moving, extremely powerful.
- the added part about Keller's half-brother, James, was interesting. I wasn't expecting that.
- Similarly, the part about Sullivan's brother, Jimmie, was extremely moving and artfully set up.
DISLIKES:
- the story was the compelling aspect, not the writing.
- I wish the pacing had been different. The whole narrative was moving towards one singular moment, and after that moment happened, the play abruptly ended.
- I also wish there was more about James. He was so angry throughout the whole play, and provided such a different perspective than the other characters. I wish they had focused in on him more.
This is a fabulous story, and it's very inspiring. Never judge a book by its cover.
I remember having to read this in High School as well, and I had completely forgotten all about it until I picked it up again at a bargain book store. I think I enjoyed it more this second time around. Being older and having more of an understanding and appreciation for the difficulties that Helen, Annie and the other members of the family actually went through.
This is a very fast read!
film only
pub 1956
autumn 2012
play dramatisation
The film, starring Anne Bancroft came out in 1962. Forty years on, those methods would not be allowed.
The full film is on YouTube: http://youtu.be/556xz3Mw7rw
3*
The Miracle Worker by William Gibsonfilm only
pub 1956
autumn 2012
play dramatisation
The film, starring Anne Bancroft came out in 1962. Forty years on, those methods would not be allowed.
The full film is on YouTube: http://youtu.be/556xz3Mw7rw
3*
...moreThis play didn't give anything about her life after her childhood, but it doesn't need to. It shows how Annie helps Helen to learn things to learn to see with words when she can't for herself, and that is a very beautiful thing. I pray that I can Wow, what a fantastic play. I immensely enjoyed it, and I think that may be because I read the book Helen Keller in 3rd grade. I remember how fascinating it was to read about this girl and how she learned to sign and speak when she couldn't hear or see.
This play didn't give anything about her life after her childhood, but it doesn't need to. It shows how Annie helps Helen to learn things to learn to see with words when she can't for herself, and that is a very beautiful thing. I pray that I can have Annie's patience with people towards others in my everyday life.
Aunt Ev character was not needed at all in my opinion because she really doesn't contribute anything to the plot of this story or message the author is trying to convey.
A lot of people probably see James as the antagonist but in my opinion Keller(Helens and his Dad) is the antagonist because he constantly is putting down James, and ultimately makes James the mischievous child he is because his dad doesn't care for him.
But all the characters represent the Average Man because they all have their flaws, and have good things about them. Some of their flaws are shown in the way they show love to their family members and how they treat Helen.
All and All a good play, it had some sweet moments and pictures I'm just dying to see brought to life. I hope to see this play performed someday.
...moreHelen Keller's story is remarkable, and she was a portrait of courage, tenacity, and hope, as was Sullivan. I highly recommend this 62 year old classic.
...moreCons: complicated staging; annoyingly grandiloquent stage notes (seriously - who uses "proffer" and "deposit" instead of "give" and "place" in stage notes anyway); not sure if dogs allowed in theater.
Iman and Alia,
Pros: no long monologues; a lead role with no speaking parts so that someone who has trouble memorizing lines can still be featured; extremely poignant; inspirational perspective on "seeing with words"; balance between male and female characters; would not require editing for content.Cons: complicated staging; annoyingly grandiloquent stage notes (seriously - who uses "proffer" and "deposit" instead of "give" and "place" in stage notes anyway); not sure if dogs allowed in theater.
Iman and Alia, there's a chance you're reading this. I have roles in mind for you.
...more...more
oh hey William Gibson!
William Gibson was a Tony Award-winning American playwright and novelist. He graduated from the City College of New York in 1938.
Gibson's most famous play is The Miracle Worker (1959), the story of Helen Keller's childhood education, which won him the Tony Award for Best Pla
Librarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information.William Gibson was a Tony Award-winning American playwright and novelist. He graduated from the City College of New York in 1938.
Gibson's most famous play is The Miracle Worker (1959), the story of Helen Keller's childhood education, which won him the Tony Award for Best Play after he adapted it from his original 1957 telefilm script. He adapted the work again for the 1962 film version, receiving an Academy Award nomination for Best Adapted Screenplay; the same actresses who previously had won Tony Awards for their performances in the stage version, Anne Bancroft and Patty Duke, received Academy Awards for the film version as well.
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I Am a Graphic Designer Not a Miracle Worker
Source: https://www.goodreads.com/book/show/22327.The_Miracle_Worker
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